TESTIMONIALS

I have to thank Dana Isaacson for more than I can adequately say: tireless and expert editing skill, along with real friendship.
— Caleb Carr, New York Times bestselling author of The Alienist, and Surrender, New York
I had a manuscript that needed to be beaten into better shape and Dana did this in very little time with a wealth of great ideas and suggestions, including a better title. He is a gem.
— Mark Kurlansky, New York Times bestselling and James A. Beard Award-winning author of The Big Oyster and The Unreasonable Virtue of Fly Fishing
Working with Dana Isaacson as an editor taught me to become a better writer.
— Carol Goodman, two-time Mary Higgins Clark Award-winner and New York Times bestselling author of The Stranger Behind You.
Dana cast his beady eyes on a dozen or more of my mystery novels and never let me get away with anything, bless him and damn him. He read the lines, and between the lines, and over and under the lines, catching what I’d meant to say and hadn’t, circling what I’d said and shouldn’t have, finding meaning that could be deeper if I worked at it, and making every book better than it ever would have been without him. I’ve always known how lucky I’ve been to have him editing me; I felt a clutch of panic when he left my publisher to go rescue other writers. He’s amazing and great and I love him and I can’t recommend him enough to writers who really want to dig the best out of their own work. He’ll find it. He even found my best-ever title for me that was buried in my own writing but which I had not recognized as significant until he showed it to me. Plus, he’s a dear man.
— Nancy Pickard, New York Times bestselling author of The Scent of Rain and Lightning
Dana Isaacson possesses some sort of manuscript magic. I have never encountered anyone else who can so seamlessly consider a book’s totality and its tiniest pieces at the same time. Somehow, the brilliantly talented Dana can divine the seamless, intelligent, and compelling book you meant to write—then gently, patiently, and respectfully lead you to understand how you might actually write it. He is a gem and a treasure.
— Hank Phillippi Ryan, awardwinning and bestselling author of Her Perfect Life
A book whisperer, they call him, and it’s very true.
— Patti Henry, New York Times bestselling author of The Secret Book of Flora Lea
Dana Isaacson is an editing genius! He is a genuine old-school editor, and I am very lucky to have found him for my bestselling book, Muppets in Moscow: The Crazy Unexpected True Story of Making Sesame Street in Russia. Dana has incredible insights, a keen sense of story structure, sentence flow, drama, and suspense. My book— which weaves through Russian history with a personal story covering four years—was extremely complicated. Dana unpacked it all with incredible speed. He was ruthless in cutting in the interest of improving the writing and the storytelling. He is so straightforward, communicates easily, and is just a pleasure to work with. He led this first-time author through the entire process with patience, clarity, and kindness. His wisdom and unmatched intelligence made me confident that my manuscript is the best it could possibly be after his eyes were on it. Through his recommendations and guidance, I learned how to be a better writer. I would not hesitate to recommend him. He is just brilliant.
— Natasha Rogoff, bestselling author of Muppets in Moscow
Dana made me think carefully about the meaning and cadence of every sentence I had written and the order of every section and every chapter in a very long and complicated book. The New York Review of Books’ verdict was that ‘Goodwin... writes with verve and can be read with pleasure.’ What more can you ask of an editor?
— Robert Goodwin, América: The Epic History of Spanish North America, 1493-1898
Dana is a crackerjack editor, and brings sensitivity and expertise to the task.
— Michael Chertoff, author of Exploding Data, and former Secretary of US Homeland Security
Dana Isaacson’s unfailing editorial instincts have improved my books in ways ranging from a light feather polishing to demolition and reconstruction ever since my first publication in 1993. His wit, wisdom, kind soul, and keen understanding of how to work with writers makes collaborating with him a joy.
— Dianne Emley, bestselling author of Lying Blind
Dana Isaacson is an amazing and brilliant freelance editor who helped me rethink, reshape, and then rewrite my book.
— Linda Stasi, author of Book of Judas, and New York Daily News columnist
It’s been my pleasure and privilege to have worked with Dana Isaacson on a number of my non-fiction books at Simon & Schuster and Random House. He’s been a consistently outstanding content and line editor—sharp, sensitive, and utterly professional.  Not incidentally, he’s also a delightful human being.
— Dr. Harold Schechter, author of Hell's Princess, and The Serial Killer Files
An author is only as good as their editor. Dana Isaacson is constructive in his criticism, ruthless with his line edits, and sharp with his insight into what makes a compelling page-turner. I’ve worked with Dana on multiple projects in the past and will continue to hire him in the future.
— Allison Brennan, New York Times bestselling author of Tell No Lies
Dana’s edits are both sharp and compassionate, and I soon learned that he knew—and cared for—my characters as much as I did. This meant that the changes and rewrites he suggested made sense—and made for a better story.
— Marty Wingate, bestselling author of The Bodies in the Library
Dana was my lifetline. He was a patient, helpful guide on both the structure and the content of my manuscript, helping me re-organize and focus the narrative arc, then making the telling clearer, more concise, and ultimately more compelling.  Equally important, he validated my story, and helped me believe it was worth the effort to complete. I owe him a great debt.
— Thomas Dybdahl, author of When Innocence Is Not Enough: Hidden Evidence and the Failed Promise of the Brady Rule